Similarly, the Cinq Préludes are played fully and lushly, but a certain spirit is sometimes missing. However, after a few movements, the set becomes a bit monotonous, with its odd tonalities it does indeed begin to feel rather like a set of "studies" indeed, rather than a work that conveys unique emotions and is exciting for the listener. Bungarten's playing is very active, athletic, assured, yet also fluid. The Douze Etudes are a set of movements full of richly textured music. He perfectly captures the feel of each dance: the mazurka lilts, the schottish dances fully as it meets a Brazilian sensibility, and the gavotte is elegant. Bungarten is perhaps most successful in the first set of works, Suite populaire brésilienne, which is a set of five dances. Thus it takes a very skilled musician to be able to technically master the music and to convey the emotion and rhythms. But Villa-Lobos also incorporated inspiration from music of native Brazilian peoples and African cultures, so one cannot consider him purely a formal art music composer. The composer's music is lush, complex, and richly textured, which is not a surprise given that Villa-Lobos was classically trained. Disfrute de este álbum en las apps Qobuz con sususcripciónįrank Bungarten has taken on a significant task: an entire album of works by legendary Brazilian composer Heitor Villa-Lobos.
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